Dutch 1589-1662   Related Paintings of Adriaen Pietersz Vande Venne :. | Winter | Winter | Fishing for Souls | Beggars Playing Pipes and a Hurdy Gurdy | Winter |
Related Artists:
lyonel feininger
Painter, printmaker and illustrator. Although he was sent to Germany as a teenager to study music, a drawing class at the Kunstgewerbeschule in Hamburg instead sparked an interest in art, which led to further training at the Akademie der K-nste in Berlin and in 1892-3 at the Acad?mie Colarossi in Paris. Returning to Berlin, he was a prominent illustrator by the mid-1890s for Ulk, Lustige Bl?tter and other leading German satirical magazines. His work also appeared in the USA, first for Harper's Round Table in 1894 and 1895 and in 1906-7 in the comic strips 'The Kin-der-Kids' and 'Wee Willie Winkie's World' for the Chicago Sunday Tribune, by which time he was again in Paris. There he was also in contact with Wilhelm Uhde, Jules Pascin and other members of the circle that met at the Caf- du D?me and produced a series of drawings for Le T-moin. While often alluding to serious contemporary issues, the style of his illustrations and drawings was fanciful rather than grotesque.
Painter Junayd
the period the 1465-1535
Anne Vallayer-Coster
French Rococo Era Painter, 1744-1818,was an eighteenth-century French painter. Known as a prodigy artist at a young age, she achieved fame and recognition very early in her career, being admitted to the Royal Academy in 1770, at the age of twenty-six. Despite the negative reputation that still-life painting had at this time, Vallayer-Coster??s highly developed skills, especially in the depiction of flowers, soon generated a great deal of attention from collectors and other artists. Her precocious talent and the rave reviews?? earned her the attention of the court, where Marie Antoinette took a particular interest in Vallayer-Coster's paintings. Regardless of her closeness to the ancient regime and France's hated monarch she survived the bloodshed of the French Revolution. However, the fall of the French monarchy, which were her primary patrons, caused her banishment into the shadows. Anne Vallayer-Coster was a woman in a man??s world. It is unknown what she thought of contemporaries who admitted her to the confraternity, and made her an honorary ??man??. Her life was determinedly private, dignified and hard-working. Occasionally she attempted other genres, but for the usual reasons her success at figure painting was limited